And it doesn't help that the musicians spend so much time hidden behind the wall itself, of course. That little spectacle never fails to get your attention.īut with all the emphasis on effects and staging, one thing that can get overlooked when Waters builds The Wall is the stellar band that helps him do it. Then there was the plane that soared over the heads of the floor crowd, crashed into some bricks at stage left, and "exploded" during the opening song, "In the Flesh?". And the video shown during "Bring the Boys Back Home" of children breaking down when their returning soldier dads surprise them in their classrooms is still as heart-wrenching as ever. The highlights were the same, including the part during "Another Brick in the Wall Part 2" when a group of kids wearing T-shirts emblazoned with the message "FEAR BUILDS WALLS" railed against a giant puppet teacher wielding a pointer. Especially when it comes to the music of Pink Floyd.Īpart from the much bigger wall-and the additional 22 video projectors required to fill it with the biting sociopolitical imagery Waters is known for-not much else seemed different from the 2010 show.
Up to 500 feet wide, the wall constructed for the big stadium shows is double the width of that used for arena gigs, and-according to the bumf provided by promoter Live Nation-is "the largest projection surface ever toured in live entertainment". Place, that are part of Waters's latest North American tour, the centrepiece of the show-an enormous wall of white "bricks" that is built up during the performance and then torn down at the end-was drastically enlarged. It didn't seem like there was any way in hell that Waters could have made his performance of The Wall any better than it already was, so when he came back to town last night he just made it bigger instead.įor the large stadiums, like B.C. His mastery of live sound, lighting technique, state-of-the-art video, and immense staging combined to bring that monumental 1979 concept album's themes of isolation and oppression to life in a show that was truly unforgettable. When Roger Waters brought Pink Floyd's The Wall to Rogers Arena in December 2010, he delivered nothing short of a prog-rock spectacle for the ages.
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